“There is a cathedral in the town of Santiago de Compostela,” explains Micah. “It is said to be the final resting place of St. James. Going back through history, pilgrims have been trekking to, and from, the cathedral for years, wanting to find peace, solace, and hope in their steps along the walk from France- into Spain- within the ancient Basque Country. Once inside the grand doors of this cathedral is a statue. A man named Master Mateo took it upon himself to carve it from stone in the 12th century. It is of St. James, surrounded by 24 musicians- seemingly trapped in stone of the ages- their ancient instruments in hand: some tuning, some looking, some simply sitting and waiting. They have been waiting patiently for over 800 years- waiting for St. James to lift his hands and begin to conduct them. They are The Musicians of The Apocalypse. They will bring Hell and Heaven to Earth. They will bring The Apocalypse.”
Anyone associated in any way with the story of Micah P. Hinson will surely know that there have been several times in his life where the idea of an Apocalypse has occurred- a death and rebirth- whether that was a severe back injury, a violent road accident, the temporary death of his arms, a love for drugs, a hate of drugs, time spent behind bars or within rooms containing mentally-challenged people, time spent behind closed doors with bizarre characters of all shapes and sizes. The possibilities are endless. In looking back, one could easily say that without these certain deaths, there would certainly be no rebirths.
With this, back in his home state of Texas, he began reaching out to the musicians that had played an important role in his musical upbringing- the people that had shown him a new way to think, a new way to play, a new way to master life and death. Luckily, he was able to draw many of these people together in an undisclosed location in East Texas the beginning of April 2018. Gathering together, he and the musicians spent a few frantic days going over the songs Micah had written in just a matter of weeks- looking at different ways to approach each song- which instruments?- what feel?- piecing together a puzzle without seeing the picture.
Miraculously, within one day- one 24 hour period- these tireless musicians, with Micah at the helm, recorded all the songs, instruments and tracks that would make up ‘When I Shoot At You With Arrows...” In a beautiful move, all the Texas musicians decided wholeheartedly that they too, just like the musicians carved into stone several thousand miles away, would go unnamed- letting their instruments speak volumes, without having their earthly names attached to such a piece.
There are many in this world that do not believe in The Apocalypse. There are many in this world that do believe in The Apocalypse. Yet, even with this, many would easily agree that life is made up of many starts and stops, many deaths, many rebirths- physically and spiritually. It is the inevitable way of the human condition.
Without beginnings there would be no end. With no ending there would be no beginnings.
This is Micah P. Hinson finding a new beginning.
released October 26, 2018
Produced by Micah P. Hinson
Mixed by Micah P. Hinson
Performed by Micah P. Hinson and The Musicians of the Apocalypse
Arranged by Micah P. Hinson
Mastered by John Plumlee and Micah P. Hinson at Bentleaf Studios, Denison, Texas, USA.
Recorded with the Yamaha M512, Tascam M-308, Tascam 133 and Dekorder 7700
Cover and illustration by Lokosh (Joshua D Hinson, www.lukosh.com)
Art direction - Micah P. Hinson
Art layout & design - Kathy Kielty
This recording used only analogue and natural effects, as well as analogue mixing and recording devices. This album was mastered to be played at MAXIMUM VOLUME!
supported by 8 fans who also own “When I Shoot At You With Arrows, I Will Shoot To Destroy You”
To refer to her as an “old soul” is understating that term. She is like an “every soul”. No matter your age, gender, or sexual preference, these songs hit that melancholy nerve for anyone that wanted someone so badly they felt like they could just die, and the entire world along with them. This is lo-fi music created on a hi-fi level. It evokes nineties bands like Velocity Girl and Belly, yet with a Millennial edge. Can’t wait for more to come from this sad, beautiful flower. mcebbie